Hans Memling
The Annunciation

1480–1489
Oil on canvas, transferred from wood
Metropolitan Museum of Art

More of the Annunciation

Information provided by the Metropolitan Museum, New York (source of the photograph):

Hans Memling, Flemish (Bruges), active by 1465–died 1494
Oil on canvas, transferred from wood.; 30 x 21 1/8 in. (76.2 x 53.6 cm)
Robert Lehman Collection, 1975 (1975.1.113)

Like other fifteenth-century Flemish painters working in the wake of Jan van Eyck, Hans Memling cloaked religious imagery in the pictorial language of everyday life, paying close attention to naturalistic detail. This Annunciation takes place in a comfortably appointed bedchamber, though many of the domestic furnishings have symbolic connotations. The carafe of water, through which light passes uncorrupted, and the vase of lilies are symbols of the Virgin's purity, while the empty candleholder signifies her imminent role as bearer of Christ, light of the world. Gabriel's priestly garb alludes to the ritual of the Mass and, therefore, the incarnation of Christ. A soft glowing light falls on the Virgin and suffuses the room, elevating the scene from the realm of the ordinary and signaling the sacred nature of the drama.

The Lehman "Annunciation," one of Memling's most important works, reportedly retained its original frame, inscribed with the date 1482, well into the nineteenth century. It has been suggested, however, that the final number of the inscription had become illegible and that the year recorded was actually 1489, a date more consonant with the painting's style.

Provenance/Ownership History: Prince Michael Radziwill (d. 1831); his son, Prince Anton Radziwill (d. 1833), Berlin, Germany, by 1832; his son, Prince Wilhelm Radziwill (d. 1870), Berlin, Germany; by descent to Prince George Radziwill, Berlin, Germany (d. 1904); his widow, Marie Branicka, Princess Radziwill, Berlin, Germany, until 1920; acquired by Philip Lehman from Marie Branicka Radziwill through Duveen Brothers in October 1920.