Carlo Saraceni, Paradise

Late 16th century
Oil on copper
Metropolitan Museum of Art (1971.93)

Heaven is represented as the abode of a multitude of saints, many of them identifiable, under the aegis of the Trinity. At the top we see the Father, Son and Holy Spirit (the dove between and above the two male figures), surrounded by the symbols of the four evangelists. To their left and right the Virgin and St. John the Baptist kneel in supplication as in Deësis images. To the left and right of this grouping are the angels of the heavenly choir (note the flute on the left and the harp on the right).

In the space beneath, "a little less than the angels" (Psalm 8:6), are the saints. The museum's label identifies the four on the lower left at the Doctors of the Church (Gregory I, Augustine, Jerome, and Ambrose). Reclining at the lower right is St. Christopher with his staff. In the story he was a giant, but to avoid making him seem larger than the persons of the Trinity Saraceni has placed him in the foreground, as if perspective were the reason for his great size. Between him and the Doctors is St. George with his red-cross banner. The crowned woman seen between the banner and Christopher's staff could be St. Catherine of Alexandria, her palm-up gesture perhaps referring to her skill as a debater with pagans. (Compare her gesture in a fresco in Piacenza.)

Above her, with his palm gesturing down, is St. Peter (square beard) discussing something with St. Paul (with his sword). Perhaps the figure at their back with the tablets is Moses, though he is usually portrayed with a full head of hair.

Foremost among the women saints to the left of Peter and Paul are two who seem to suggest St. Cecilia. One of them plays the organ, and the other resembles Raphael's earlier portrait of the saint and has the same upcast gaze. Also, the songbook in her hand is like those to which Raphael's Cecilia is longingly casting her gaze. Thus, the saint has realized her dream of taking her place among the heavenly choir but is now looking up even higher, to her God.

The half-naked female figure to the right of (perhaps) Moses is a mystery to me. She could be Eve, or (with her blonde hair) Mary Magdalene, or any one of the many female saints whose nakedness was exposed by pagan tyrants (e.g. St. Eulalia or St. Agnes) or by the elements (as St. Mary of Egypt).

Detail: The Trinity
More of Heaven
Photographed at the museum by Claire Stracke