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El Greco
Christ Driving the Traders from the Temple
1571-76
Oil on canvas,
117 x
150 cm
Institute of
Arts,
Minneapolis
To the right
of
Christ,
El Greco ranges the apostles, representing the New Law. To the
left,
we see an old man, associated with the Law in Paul’s writings; he is
repeated
in all four paintings. In El Greco's earliest paintings of this
subject,
the specific idea of Law is also suggested in the left foreground by a
woman with a cage of doves (associated with the ritual of Purification
at 40 or 80 days after a child’s birth). She is presented in the
manner of allegorical paintings of abstract qualities, and her
déshabille
associates the Law with the flesh, as Paul does. In these
earliest
paintings, putti-like boys play in the right foreground. In the very
earliest,
one of them is playing with coins – again, something associated with
the
Old Law. In the second, money is represented a bit more subtly,
by
a coinbox in the lower right of the composition.
The earliest
paintings
make this point about the Old Law and the New Law in a quite “busy”
manner,
with lots of figures and lots of symbols to point the mind in the right
direction. In the later two paintings, the painter crops the
picture
and seeks to do the job more subtly. He replaces the dove woman
with
the coinbox from the second painting; it has fallen off an upturned
table.
El Greco's 1600
version of the same episode
More of this
episode
Source: Web Gallery of Art
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