Santos in Oaxaca's Ancient Churches
A study of santos in 16th-century and other churches in Oaxaca, Mexico
By Claire and Richard Stracke
Funded by a grant from the Rockefeller Foundation.
In Santa Ana del Valle:
The execution of the crucifix is less artistic than the rest of the retablo. The arms are disproportionately small for the body and for the cross, and their musculature is not as detailed as that of the chest and stomach. The painting of the face is rough, and the feet without detail.
Local Name: El Señor de la
Basis for Identification: Crown
of thorns, loincloth, scutum, five wounds with blood,
Site: Church of Santa Ana del Valle.
Media and construction: Wood, gesso, paint, silk loincloth and scutum. Eyes: painted. Hair: wig over painted hair. Painted teeth.
Size: About 3 feet (90 cm.)
Comparable santos in Oaxaca: Achiutla, Santa Ana del Valle2, Santa Ana del Valle3, Cuilapan, Etla, Guelavia, Mitla, Nochixtlán, Tamazulapan1, Tamazulapan2, Teitipac1, Teitipac2, Teitipac3, Teitipac Our Lady of the Rosary, Teotitlán1, Teotitlán2, Teposcolula1, Teposcolula2, Teposcolula3 (in Rosary case), Teposcolula Convento1, Teposcolula Convento2, Tilantongo1, Tilantongo2, Tlacolula1, Tlacolula2, Xoxocotlán1, Xoxocotlán2, Xoxocotlán3, Xoxocotlán4, Yanhuitlán1, Yanhuitlán2, Yanhuitlán Convento1, Yanhuitlán Convento2, Yanhuitlán Convento3, Yanhuitlán Convento4, Yanhuitlán Convento5, Yanhuitlán Ayuxi Chapel, Zimatlán.
Moving ahead to the main altar, we look first at a statue of St. Peter of
Verona (Peter Martyr).
references to the cardinal directions always assume
that the main altar is at the east end of the church,
the narthex or entry area at the west end, and the two
of the nave on the
north and south. (The
nave is the long central section.)
Actual orientations may differ.
The photo shown here is licensed under the
Creative Commons Attribution-Share Alike 3.0 Unported
license. You are free to share or remix it on two
conditions: first, that you attribute it to the
photographers, Claire and Richard Stracke, without
implying any approval of your work on their part;
second, that if you alter, transform, or build upon
this photo, you may distribute the resulting work only
under the same or similar license to this one.